A deep dive into the code, craft, and chaos behind a pop-art-inspired digital experience powered by GSAP and Webflow.

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The list of countries to achieve their own successful orbital space launch is a short one, almost as small as the exclusive club of states that possess nuclear weapons. The Soviet Union was first off the rank in 1957, with the United States close behind in 1958, and a gaggle of other aerospace-adept states followed in the 1960s, 1970s, and 1980s. Italy, Iran, North Korea and South Korea have all joined the list since the dawn of the new millennium.

Absent from the list stands Australia. The proud island nation has never stood out as a player in the field of space exploration, despite offering ground station assistance to many missions from other nations over the years. However, the country has continued to inch its way to the top of the atmosphere, establishing its own space agency in 2018. Since then, development has continued apace, and the country’s first orbital launch appears to be just around the corner.

Space, Down Under

The establishment of the Australian Space Agency (ASA) took place relatively recently. The matter was seen to be long overdue from an OECD member country; by 2008, Australia was the only one left without a national space agency since previous state authorities had been disbanded in 1996. This was despite many facilities across the country contributing to international missions, providing critical radio downlink services and even welcoming JAXA’s Hayabusa2 spacecraft back to Earth.

Eventually, a groundswell grew, pressuring the government to put Australia on the right footing to seize growing opportunities in the space arena. Things came to a head in 2018, when the government established ASA to “support the growth and transformation of Australia’s space industry.”

ASA would serve a somewhat different role compared to organizations like NASA (USA) and ESA (EU). Many space agencies in other nations focus on developing launch vehicles and missions in-house, collaborating with international partners and aerospace companies in turn to do so. However, for ASA, the agency is more focused on supporting and developing the local space industry rather than doing the engineering work of getting to space itself.

Orbital Upstarts

Just because the government isn’t building its own rockets, doesn’t mean that Australia isn’t trying to get to orbit. That goal is the diehard mission of Gilmour Space Technologies. The space startup was founded in 2013, and established its rocketry program in 2015, and has been marching towards orbit ever since. As is often the way, the journey has been challenging, but the payoff of genuine space flight is growing ever closer.

Gilmour Space moved fast, launching its first hybrid rocket back in 2016. The successful suborbital launch proved to be a useful demonstration of the company’s efforts to produce a rocket that used 3D-printed fuel. This early milestone aided the company to secure investment that would support its push to grander launches at greater scale. The company’s next major launch was planned for 2019, but frustration struck—when the larger One Vision rocket suffered a failure just 7 seconds prior to liftoff. Undeterred, the company continued development of a larger rocket, taking on further investment and signing contracts to launch payloads to orbit in the ensuing years.

Gilmour Space has worked hard to develop its hybrid rocket engines in-house. 

With orbital launches and commercial payload deliveries the ultimate goal, it wasn’t enough to just develop a rocket. Working with the Australian government, Gilmour Space established the Bowen Orbital Spaceport in early 2024—a launchpad suitable for the scale of its intended space missions. Located on Queensland’s Gold Coast, it’s just 20 degrees south of the equator—closer than Cape Canaveral, and useful for accessing low- to mid-inclination equatorial orbits. The hope was to gain approval to launch later that year, but thus far, no test flights have taken place. Licensing issues around the launch have meant the company has had to hold back on shooting for orbit.

The rocket with which Gilmour Space intends to get there is called Eris. In Block 1 configuration, it stands 25 meters tall, and is intended to launch payloads up to 300 kg into low-Earth orbits. It’s a three-stage design. It uses four of Gilmour’s Sirius hybrid rocket motors in the first stage, and just one in the second stage. The third stage has a smaller liquid rocket engine of Gilmour’s design, named Phoenix. The rocket was first staged vertically on the launch pad in early 2024, and a later “dress rehearsal” for launch was performed in September, with the rocket fully fueled. However, flight did not take place, as launch permits were still pending from Australia’s Civil Aviation Safety Authority (CASA).

The Eris rocket was first vertically erected on the launchpad in 2024, but progress towards launch has been slow since then. 

After a number of regulatory issues, the company’s first launch of Eris was slated for March 15, 2025. However, that day came and passed, even with CASA approval, as the required approvals were still not available from the Australian Space Agency. Delays have hurt the company’s finances, hampering its ability to raise further funds. As for the rocket itself, hopes for Eris’s performance at this stage remain limited, even if you ask those at Gilmour Space. Earlier this month, founder Adam Gilmour spoke to the Sydney Morning Herald on his expectations for the initial launch. Realistic about the proposition of hitting orbit on the company first attempt, he expects it to take several launches to achieve, with some teething problems to come. “It’s very hard to test an orbital rocket without just flying it,” he told the Herald. “We don’t have high expectations we’ll get to orbit… I’d personally be happy to get off the pad.”

Despite the trepidation, Eris stands as Australia’s closest shot at hitting the bigtime outside the atmosphere. Government approvals and technical hurdles will still need to be overcome, with the Australian Space Agency noting that the company still has licence conditions to meet before a full launch is approved. Still, before the year is out, Australia might join that vaunted list of nations that have leapt beyond the ground to circle the Earth from above. It will be a proud day when that comes to pass.

Getting a look at the internals of a garden variety “wall wart” isn’t the sort of thing that’s likely to excite the average Hackaday reader. You’ve probably cracked one open yourself, and even if you haven’t, you’ve likely got a pretty good idea of what’s inside that sealed up brick of plastic. But sometimes a teardown can be just as much about the journey as it is the end result.

Truth be told, we’re not 100% sure if this teardown from [Brian Dipert] over at EDN was meant as an April Fool’s joke or not. Certainly it was posted on the right day, but the style is close enough to some of his previous work that it’s hard to say. In any event, he’s created a visual feast — never in history has an AC/DC adapter been photographed so completely and tastefully.

[Brian] even goes so far as to include images of the 2.5 lb sledgehammer and paint scraper that he uses to brutally break open the ultrasonic-welded enclosure. The dichotomy between the thoughtful imagery and the savage way [Brian] breaks the device open only adds to the surreal nature of the piece. Truly, the whole thing seems like it should be part of some avant garde installation in SoHo.

After he’s presented more than 20 images of the exterior of the broken wall wart, [Brian] finally gets to looking at the internals. There’s really not much to look at, there’s a few circuit diagrams and an explanation of the theory behind these unregulated power supplies, and then the write-up comes to a close as abruptly as it started.

So does it raise the simple teardown to an art form? We’re not sure, but we know that we’ll never look at a power adapter in quite the same way again.

It’s official, we’re living in the future. Certainly that’s the only explanation for how [wrongbaud] was able to write a three-part series of posts on hacking a cheap electric toothbrush off of AliExpress.

As you might have guessed, this isn’t exactly a hack out of necessity. With a flair for explaining hardware hacking, [wrongbaud] has put this together as a practical “brush-up” (get it?) on the tools and concepts involved in reverse engineering. In this case, the Raspberry Pi is used as a sort of hardware hacking multi-tool, which should make it relatively easy to follow along.

The first post in the series goes over getting the Pi up and running, which includes setting up OpenOCD. From there, [wrongbaud] actually cracks the toothbrush open and starts identifying interesting components, which pretty quickly leads to the discovery of a debug serial port. The next step is harassing the SPI flash chip on the board to extract its contents. As the toothbrush has a high-res color display (of course it does), it turns out this chip holds the images which indicate the various modes of operation. He’s eventually able to determine how the images are stored, inject new graphics data, and write it back to the chip.

Being able to display the Wrencher logo on our toothbrush would already be a win in our book, but [wrongbaud] isn’t done yet. For the last series in the post, he shows how to extract the actual firmware from the microcontroller using OpenOCD. This includes how to analyze the image, modify it, and eventually flash the new version back to the hardware — using that debug port discovered earlier to confirm the patched code is running as expected.

If you like his work with a toothbrush, you’ll love seeing what [wrongbaud] can do with an SSD or even an Xbox controller.

First of all, we’d like to give a big shout-out to [Afrotechmods]! After a long hiatus, he has returned to YouTube with an awesome new video all about op-amp characteristics, looking at the relatively awful LM741 in particular. His particular way of explaining things has definitely helped many electronics newbies to learn new concepts quickly!

Operational amplifiers have been around for a long time. The uA741, now commonly known as the LM741, was indeed an incredible piece of technology when it was released. It was extremely popular through the 1970s and onward as it saved designers the chore of designing a discrete amplifier. Simply add a few external components, and you have a well-behaved amplifier.

But as the years went on, many new and greatly improved op-amps have been developed, but either because of nostalgia or reticence, many in the field (especially, it seems, professors teaching electronics) have continued to use the LM741 in examples and projects. This is despite its many shortcomings:

• Large input offset voltage
• Large input offset current
• Low gain-bandwidth product
• Miserable slew rate of only 0.5V/uS

And that’s not even the full list. Newer designs have vastly improved all of these parameters, often by orders of magnitude, yet the LM741 still appears in articles aimed at those new to electronics, even in 2025. There are literal drop-in replacements for the LM741, such as the TLC081 (not to be confused with the similarly named FET-input TL081), which has 32 times the slew rate, 10 times the gain-bandwidth product, and an input offset voltage almost 2 orders of magnitude better!

So, check out the full video below, learn about op-amp parameters, and start checking out modern op-amps!

One of the most exciting trends we’ve seen over the last few years is the rise of truly personal computers — that is, bespoke computing devices that are built by individuals to fit their specific needs or wants. The more outlandish of these builds, often inspired by science fiction and sporting non-traditional layouts, tend to be lumped together under the term “cyberdecks”, but there are certainly builds where that description doesn’t quite stick, including the Cyber Writer from [Darbin Orvar].

With a 10-inch screen, you might think it was intended to be a portable, but its laser-cut Baltic birch plywood construction says otherwise. Its overall design reminds us of early computer terminals, and the 60% mechanical keyboard should help reinforce that feeling that you’re working on a substantial piece of gear from yesteryear.

The Cyber Writer is powered by the Raspberry Pi Zero W 2, which might seem a bit underpowered, but [Darbin] has paired it with a custom minimalist word processor. There’s not a lot of detail about the software, but the page for the project says it features integrated file management and easy email export of documents.

The software isn’t yet available to the public, but it sounds like [Darbin] is at least considering it. Granted, there’s already distraction-free writing software out there, but we’re pretty firm believers that there’s no such thing as too many choices.

If you’re looking for something a bit more portable, the impressive Foliodeck might be more your speed.

Early photography lacked the convenience of the stable roll film we all know, and instead relied on a set of processes which the photographer would have to master from film to final print. Photographic chemicals could be flammable or even deadly, and results took a huge amount of work.

The daguerreotype process of using mercury to develop pictures on polished metal, and the wet-collodion plate with its nitrocellulose solution are well-known, but as conservators at the British National Archives found out, there was another process that’s much rarer. The Pannotype uses a collodion emulsion, but instead of the glass plate used by the wet-plate process it uses a fabric backing.

We know so much about the other processes because they were subject to patents, but pannotype never had a patent due to a disagreement. Thus when the conservators encountered some pannotypes in varying states of preservation, they needed to apply modern analytical techniques to understand the chemistry and select the best methods of stabilization. The linked article details those analyses, and provides them with some pointers towards conserving their collection. We look forward to someone making pannotype prints here in 2025, after all it’s not the first recreation of early photography we’ve seen.

Lord Vetinari from the Discworld series is known for many things, but perhaps most of all a clock that doesn’t quite keep continuous time. Instead, it ticks away at random increments to infuriate those that perceive it, whilst keeping regular time over the long term. [iracigt] decided to whip up a real world version of this hilarious fictional timepiece.

The clock itself is an off-the-shelf timepiece purchased from Target for the princely sum of $5. However, it’s been deviously modified with an RP2040 microcontroller hidden away inside. The RP2040 is programmed to tick the clock at an average of once per second. But each tick itself is not so exact. Instead, there’s an erraticness to its beat – some ticks are longer, some shorter, in the classic Vetinari style. [iracigt] explains the nitty gritty of how it all works, from creating chaos with Markov chains to interfacing the RP2040 electronically with the cheap quartz clock movement.

If you’ve ever wanted to build one of these amusements yourself, [iracigt’s] writeup is a great place to start. Even better, it was inspired by an earlier post on these very pages! We love to see the community riff on a theme, and we’d love to see yours, too – so keep the tips coming, yeah? Video after the break.

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